The 7 Wonders of The Ancient World are-
1.The Great Pyramid of Egypt
It's 756 feet long on each side, 450 high and is composed of 2,300,000 blocks of stone, each averaging 2 1/2 tons in weight. Despite the makers' limited surveying tools no side is more than 8 inches different in length than another, and the whole structure is perfectly oriented to the points of the compass. Until the 19th century it was the tallest building in the world and, at the age of 4,500 years, it is the only one of the famous "Seven Wonders of the Ancient World" that still stands. It is the Great Pyramid of Khufu, at Giza, Egypt.
Some of the earliest history of the Pyramid comes from a Greek traveler named Herodotus of Halicanassus. He visited Egypt around 450 BC and included a description of the Great Pyramid in a history book he wrote. Herodotus was told by his Egyptian guides that it took twenty-years for a force of 100,000 oppressed slaves to build the pyramid. Stones were lifted into position by the use of immense machines. The purpose of the structure, according to Herodotus's sources, was as a tomb for the Pharaoh Khufu (whom the Greeks referred to as Cheops).
Most of what Herodotus tells us is probably false. Scientists calculate that fewer men and less years were needed than Herodotus suggests. It also seems unlikely that slaves or complicated machines were needed for the pyramid construction. It isn't surprising that the Greek historian got it wrong. By the time he visited the site the great pyramid was already 20 centuries old, and much of the truth about it was shrouded in the mists of history.
Certainly the idea that it was a tomb for a Pharaoh, though, seems in line with Egyptian practices. For many centuries before and after the construction of the Great Pyramid the Egyptians had interned their dead Pharaoh-Kings, whom they believed to be living Gods, in intricate tombs. Some were above ground structures, like the pyramid, others were cut in the rock below mountains. All the dead leaders, though, were outfitted with the many things it was believed they would need in the after-life to come. Many were buried with untold treasures.
Even in ancient times thieves, breaking into the sacred burial places, were a major problem and Egyptian architects became adept at designing passageways that could be plugged with impassable granite blocks, creating secret, hidden rooms and making decoy chambers. No matter how clever the designers became, though, robbers seemed to be smarter and with almost no exceptions each of the great tombs of the Egyptian Kings were plundered.
In 820 A.D. the Arab Caliph Abdullah Al Manum decided to search for the treasure of Khufu. He gathered a gang of workmen and, unable to find the location of a reputed secret door, started burrowing into the side of the monument. After a hundred feet of hard going they were about to give up when they heard a heavy thud echo through the interior of the pyramid. Digging in the direction of the sound they soon came upon a passageway that descended into the heart of the structure. On the floor lay a large block that had fallen from the ceiling, apparently causing the noise they had heard. Back at the beginning of the corridor they found the secret hinged door to the outside they had missed.
Working their way down the passage they soon found themselves deep in the natural stone below the pyramid. The corridor stopped descending and went horizontal for about 50 feet, then ended in a blank wall. A pit extended downward from there for about 30 feet, but it was empty.
When the workmen examined the fallen block they noticed a large granite plug above it. Cutting through the softer stone around it they found another passageway that extended up into the heart of the pyramid. As they followed this corridor upward they found several more granite blocks closing off the tunnel. In each case they cut around them by burrowing through the softer limestone of the walls. Finally they found themselves in a low, horizontal passage that lead to a small, square, empty room. This became known as the "Queen's Chamber," though it seems unlikely that it ever served that function.
Back at the junction of the ascending and descending passageways, the workers noticed an open space in the ceiling. Climbing up they found themselves in a high-roofed, ascending passageway. This became known as the "Grand Gallery." At the top of the gallery was a low horizontal passage that led to a large room, some 34 feet long, 17 feet wide, and 19 feet high, the "King's Chamber." In the center was a huge granite sarcophagus without a lid. Otherwise the room was completely empty.
The pyramids at Giza. The far pyramid is the "Great Pyramid." The middle one looks larger, but only because it is built on higher ground.
The Arabs, as if in revenge for the missing treasure, stripped the pyramid of it's fine white limestone casing and used it for building in Cairo. They even attempted to disassemble the great pyramid itself, but after removing the top 30 feet of stone, they gave up on this impossible task.
So what happened to the treasure of King Khufu? Conventional wisdom says that, like so many other royal tombs, the pyramid was the victim of robbers in ancient times. If we believe the accounts of Manum's men, though, the granite plugs that blocked the passageways were still in place when they entered the tomb. How did the thieves get in and out?
In 1638 a English mathematician, John Greaves, visited the pyramid. He discovered a narrow shaft, hidden in the wall, that connected the Grand Gallery with the descending passage. Both ends were tightly sealed and the bottom was blocked with debris. Some archaeologists suggested this route was used by the last of the Pharaoh's men to exit the tomb, after the granite plugs had been put in place, and by the thieves to get inside. Given the small size of the passageway and the amount of debris it seems unlikely that the massive amount of treasure, including the huge missing sarcophagus lid, could have been removed this way.
Some have suggested that the pyramid was never meant as a tomb, but as an astronomical observatory. The Roman author Proclus, in fact, states that before the pyramid was completed it did serve in this function. We can't put two much weight on Proclus words, though, remembering that when he advanced his theory the pyramid was already over 2000 years old.
Richard Proctor, an astronomer, did observe that the descending passage could have been used to observe the transits of certain stars. He also suggested that the grand gallery, when open at the top, during construction, could have been used for mapping the sky.
Many strange, and some silly, theories have arisen over the years to explain the pyramid and it's passageways. Most archaeologists, though, accept the theory that the great pyramid was just the largest of a tradition of tombs used for the Pharaohs of Egypt.
So what happened to Khufu's mummy and treasure? Nobody knows. Extensive explorations have found no other chambers or passageways. Still one must wonder if, perhaps in this one case, the King and his architects out smarted both the ancient thieves and modern archaeologists and that somewhere in, or below, the last wonder of the ancient world, rests Khufu and his sacred gold.
A cross-section of the Great Pyramid showing the passageways.
2.The Hanging Gardens of Babylon
The ancient city of Babylon, under King Nebuchadnezzar II, must have been a wonder to the traveler's eyes. "In addition to its size," wrote Herodotus, a historian in 450 BC, "Babylon surpasses in splendor any city in the known world."
Herodotus claimed the outer walls were 56 miles in length, 80 feet thick and 320 feet high. Wide enough, he said, to allow a four-horse chariot to turn. The inner walls were "not so thick as the first, but hardly less strong." Inside the walls were fortresses and temples containing immense statues of solid gold. Rising above the city was the famous Tower of Babel, a temple to the god Marduk, that seemed to reach to the heavens.
While archaeological examination has disputed some of Herodotus's claims (the outer walls seem to be only 10 miles long and not nearly as high) his narrative does give us a sense of how awesome the features of the city appeared to those that visited it. Interestingly enough, though, one of the city's most spectacular sites is not even mentioned by Herodotus: The Hanging Gardens of Babylon, one of the Seven Wonders of the Ancient World.
Accounts indicate that the garden was built by King Nebuchadnezzar, who ruled the city for 43 years starting in 605 BC (There is a less-reliable, alternative story that the gardens were built by the Assyrian Queen Semiramis during her five year reign starting in 810 BC). This was the height of the city's power and influence and King Nebuchadnezzar constructed an astonishing array of temples, streets, palaces and walls.
According to accounts, the gardens were built to cheer up Nebuchadnezzar's homesick wife, Amyitis. Amyitis, daughter of the king of the Medes, was married to Nebuchadnezzar to create an alliance between the nations. The land she came from, though, was green, rugged and mountainous, and she found the flat, sun-baked terrain of Mesopotamia depressing. The king decided to recreate her homeland by building an artificial mountain with rooftop gardens.
The Hanging Gardens probably did not really "hang" in the sense of being suspended from cables or ropes. The name comes from an inexact translation of the Greek word kremastos or the Latin word pensilis, which mean not just "hanging", but "overhanging" as in the case of a terrace or balcony.
The Greek geographer Strabo, who described the gardens in first century BC, wrote, "It consists of vaulted terraces raised one above another, and resting upon cube-shaped pillars. These are hollow and filled with earth to allow trees of the largest size to be planted. The pillars, the vaults, and terraces are constructed of baked brick and asphalt."
"The ascent to the highest story is by stairs, and at their side are water engines, by means of which persons, appointed expressly for the purpose, are continually employed in raising water from the Euphrates into the garden."
Strabo touchs on what, to the ancients, was probably the most amazing part of the garden. Babylon rarely received rain and for the garden to survive it would have had to been irrigated by using water from the nearby Euphrates River. That meant lifting the water far into the air so it could flow down through the terraces, watering the plants at each level. This was probably done by means of a "chain pump."
A chain pump is two large wheels, one above the other, connected by a chain. On the chain arehung buckets. Below the bottom wheel is a pool with the water source. As the wheel is turned, the buckets dip into the pool and pick up water. The chain then lifts them to the upper wheel, where the buckets are tipped and dumped into an upper pool. The chain then carries the empty ones back down to be refilled.
The pool at the top of the gardens could then be released by gates into channels which acted as artificial streams to water the gardens. The pump wheel below was attached to a shaft and a handle. By turning the handle slaves provided the power to run the contraption.
Construction of the garden wasn't only complicated by getting the water up to the top, but also by having to avoid having the liquid ruin the foundation once it was released. Since stone was difficult to get on the Mesopotamian plain, most of the architecture in Babel utilized brick. The bricks were composed of clay mixed with chopped straw and baked in the sun. The bricks were then joined with bitumen, a slimy substance, which acted as a mortar. These bricks quickly dissolved when soaked with water. For most buildings in Babel this wasn't a problem because rain was so rare. However, the gardens were continually exposed to irrigation and the foundation had to be protected.
Diodorus Siculus, a Greek historian, stated that the platforms on which the garden stood consisted of huge slabs of stone (otherwise unheard of in Babel), covered with layers of reed, asphalt and tiles. Over this was put "a covering with sheets of lead, that the wet which drenched through the earth might not rot the foundation. Upon all these was laid earth of a convenient depth, sufficient for the growth of the greatest trees. When the soil was laid even and smooth, it was planted with all sorts of trees, which both for greatness and beauty might delight the spectators."
How big were the gardens? Diodorus tells us it was about 400 feet wide by 400 feet long and more than 80 feet high. Other accounts indicate the height was equal to the outer city walls. Walls that Herodotus said were 320 feet high.
In any case the gardens were an amazing sight: A green, leafy, artificial mountain rising off the plain. But did it actually exist? After all, Herodotus never mentions it.
This was one of the questions that occurred to German archaeologist Robert Koldewey in 1899. For centuries before that the ancient city of Babel was nothing but a mound of muddy debris. Though unlike many ancient locations, the city's position was well-known, nothing visible remained of its architecture. Koldewey dug on the Babel site for some fourteen years and unearthed many of its features including the outer walls, inner walls, foundation of the Tower of Babel, Nebuchadnezzar's palaces and the wide processional roadway which passed through the heart of the city.
While excavating the Southern Citadel, Koldewey discovered a basement with fourteen large rooms with stone arch ceilings. Ancient records indicated that only two locations in the city had made use of stone, the north wall of the Northern Citadel, and the Hanging Gardens. The north wall of the Northern Citadel had already been found and had, indeed, contained stone. This made it seem likely that Koldewey had found the cellar of the gardens.
He continued exploring the area and discovered many of the features reported by Diodorus. Finally a room was unearthed with three large, strange holes in the floor. Koldewey concluded this had been the location of the chain pumps that raised the water to the garden's roof.
The foundations that Koldewey discovered measured some 100 by 150 feet. Smaller than the measurements described by ancient historians, but still impressive.
While Koldewey was convinced he'd found the gardens, some modern archaeologists call his discovery into question arguing that this location is too far from the river to have be irrigated with the amount of water that would have been required. Also tablets recently found at the site suggest that the location was used for administrative and/or storage purposes, not as a pleasure garden.
Wherever the location of the gardens were, we can only wonder if Queen Amyitis was happy with her fantastic present, or if she continued to pine for the green mountains of her homeland.
3.The Statue of Zeus at Olympia
In ancient times the Greeks held one of their most important festivals, The Olympic Games, in honor of the King of their gods, Zeus. Like our modern Olympics, athletes traveled from distant lands, including Asia Minor, Syria, Egypt and Sicily, to compete in the games. The Olympics were first started in 776 B.C. and held at a shrine to Zeus located on the western coast of Greece in a region called Peloponnesus. The games, held every four years, helped to unify the Greek city-states. Sacred truce was declared during the games and wars were stopped. Safe passage was given to all traveling to the site, called Olympia, for the season of the games.
The site consisted of a stadium (for the games) and a sacred grove, or Altis, where temples were located. The shrine to Zeus was simple in the early years, but as time went by and the games increased in importance, it became obvious that a new, larger temple, one worthy of the King of the gods, was needed. Between 470 and 460 B.C., construction on a new temple was started. The designer was Libon of Elis and his masterpiece, The Temple of Zeus, was completed in 456 B.C..
This temple followed a design used on many large Grecian temples. It was similar to the Parthenon in Athens and the Temple of Artemis in Ephesus. The temple was built on a raised, rectangular platform. Thirteen large columns supported the roof along the sides and six supported it on each end. A gently-peaked roof topped the building. The triangles, or "pediments," created by the sloped roof at the ends of the building were filled with sculpture. Under the pediments, just above the columns, was more sculpture depicting the twelve labors of Heracles, six on each end.
Though the temple was considered one of the best examples of the Doric design because of its style and the quality of the workmanship, it was decided the temple alone was too simple to be worthy of the King of the gods. To remedy this, a statue was commissioned for the interior- a magnificent statue of Zeus that would become one of the Seven Wonders of the Ancient World.
The sculptor chosen for this great task was a man named Phidias. He had already rendered a forty-foot high statue of the goddess Athena for the Parthenon in Athens and had also done much of the sculpture on the exterior of that temple. After his work in Athens was done, Phidias traveled to Olympia to start on what was considered his best work, the statue of Zeus. On arriving he set up a workshop to the west of the temple.
The Lincoln Memorial Exterior
According to accounts, the statue was located at the western end of the temple. It was 22 feet wide and some 40 feet tall. The figure of Zeus was seated on an elaborate throne. His head nearly grazed the roof. The historian Strabo wrote, "...although the temple itself is very large, the sculptor is criticized for not having appreciated the correct proportions. He has depicted Zeus seated, but with the head almost touching the ceiling, so that we have the impression that if Zeus moved to stand up he would unroof the temple..."
Others who viewed that temple disagreed with Strabo and found the proportions very effective in conveying the god's size and power. By filling nearly all the available space, the statue was made to seem even larger than it really was.
In its right hand the statue held the figure of Nike (the goddess of victory) and in its left was a scepter "inlaid with every kind of metal..." which was topped with an eagle. Perhaps even more impressive than the statue itself was the throne made out of gold, ebony, ivory and inlaid with precious stones. Carved into the chair were figures of Greek gods and mystical animals, like the sphinx.
The figure's skin was composed of ivory and the beard, hair and robe of gold. Construction was by the use of gold and ivory plates attached to a wooden frame. Because the weather in Olympia was so damp, the statue required care so that the humidity would not crack the ivory. For this purpose it was constantly treated with oil kept in a special pool in the floor of the temple. It is said that for centuries the decedents of Phidias held the responsibility for this maintenance of the statue.
Besides the statue, there was little inside the temple. The Greeks preferred the interior of their shrines to be simple. The feeling it gave was probably very much like the Lincoln Memorial(Left above and right below) or Jefferson Memorial in Washington, D.C. with their lofty marble columns and single, large statues.
The Lincoln Memorial Interior
Copies of the statue were made, but none survive, though pictures found on coins give researchers clues about its appearance.
Despite his magnificent work at Olympia, Phidias ran into trouble when he returned home. He was a close friend with Pericles, who ruled the Athens. Enemies of Pericles, unable to strike at the ruler directly, attacked his friends instead. Phidias was accused of stealing gold meant for the statue of Athena. When that charge failed to stick, they claimed he had carved his image, and that of Pericles into the sculpture found on the Parthenon. This would have been improper in the Greeks' eyes and Phidias was thrown into jail where he died awaiting trial.
His masterpiece lived on, though, at the temple in Olympia until 392 A.D. when the Olympics were abolished by Emperor Theodosius I of Rome, a Christian who saw the games as a pagan rite. After that the statue was moved by wealthy Greeks to the city of Constantinople where it survived until destroyed by fire in 462 A.D..
The first archaeological work on the Olympia site was done by a group of French scientists in 1829. They were able to locate the outlines of the temple and found fragments of the sculpture showing the labors of Heracles. These pieces were shipped to Paris where they are still on display today at the Louvre.
The next expedition came from Germany in 1875 worked at Olympia for five summers. Over that period they were able to map out most of the buildings there, discovered more fragments of the temple's sculpture, and located the remains of the pool in the floor that contained the oil for the statue.
In the 1950's an excavation uncovered the workstop of Phidias which was discovered beneath an early Christain Church. Archaeologists found sculptor's tools, a pit for casting bronze, clay molds, modeling plaster and even a portion of one of the elephant's tusks which had supplied the ivory for the statue. Many of the clay molds, which had been used to shape the gold plates, bore serial numbers which must have been used to show the place of the plates in the design.
Today the stadium at the site has been restored. Little is left of the temple, though, except a few columns. Of the statue, which was perhaps the most wonderful work at Olympia, all is now gone.
4.The Temple of Artemis at Ephesus
1100 A.D.: A troop of Crusaders stops at a muddy little village in Asia Minor. Their leader looks around. Confused ,he dismounts. This place is not what he expected. He read in the ancient texts that this was a large seaport with many ships docked in its bay. It isn't. The sea is almost three miles away. The village is located in a swamp. There are no ships to be seen. The leader accosts a nearby man.
"Sir, is this the city of Ephesus?"
"It was called that once. Now it is named Ayasalouk."
"Well, where is your bay? Where are the trading ships? And where is the magnificent Greek temple that we have heard about?"
Now it is the man's turn to be confused. "Temple? What temple, Sir? We have no temple here..."
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And so 800 years after its destruction, the magnificent Temple of Artemis at Ephesus, one of the Seven Wonders of the Ancient World, had been completely forgotten by the people of the town that had once held it in such pride.
And there is no doubt that the temple was indeed magnificent. "I have seen the walls and Hanging Gardens of ancient Babylon," wrote Philon of Byzantium, "the statue of Olympian Zeus, the Colossus of Rhodes, the mighty work of the high Pyramids and the tomb of Mausolus. But when I saw the temple at Ephesus rising to the clouds, all these other wonders were put in the shade."
So what happened to this great temple? And what happened to the city that hosted it? What turned Ephesus from a busy port of trade to a few shacks in a swamp?
The first shrine to the Goddess Artemis was probably built around 800 B.C. on a marshy strip near the river at Ephesus. The Ephesus Goddess Artemis, sometimes called Diana, is not the same figure as the Artemis worshiped in Greece. The Greek Artemis is the goddess of the hunt. The Ephesus Artemis was a goddess of fertility and was often pictured as draped with eggs, or multiple breasts, symbols of fertility, from her waist to her shoulders.
That earliest temple contained a sacred stone, probably a meteorite, that had "fallen from Jupiter." The shrine was destroyed and rebuilt several times over the next few hundred years. By 600 B.C., the city of Ephesus had become a major port of trade and an architect named Chersiphron was engaged to build a new large temple. He designed it with high stone columns. Concerned that carts carrying the columns might get mired in the swampy ground around the site, Chersiphron laid the columns on their sides and had them rolled to where they would be erected.
This temple didn't last long. In 550 B.C. King Croesus of Lydia conquered Ephesus and the other Greek cities of Asia Minor. During the fighting, the temple was destroyed. Croesus proved himself a gracious winner, though, by contributing generously to the building of a new temple.
This was next to the last of the great temples to Artemis in Ephesus and it dwarfed those that had come before. The architect is thought to be a man named Theodorus. Theodorus's temple was 300 feet in length and 150 feet wide with an area four times the size of the temple before it. More than one hundred stone columns supported a massive roof. The new temple was the pride of Ephesus until 356 B.C. when a tragedy, by name of Herostratus, struck.
Herostratus was a young Ephesian who would stop at no cost to have his name go down in history. He managed this by burning the temple to the ground. The citizens of Ephesus were so appalled at this act they issued a decree that anyone who spoke of Herostratus would be put to death.
Shortly after this horrible deed, a new temple was commissioned. The architect was Scopas of Paros, one of the most famous sculptors of his day. Ephesus was one of the greatest cities in Asia Minor at this point and no expense was spared in the construction. According to Pliny the Elder, a Roman historian, the temple was a "wonderful monument of Grecian magnificence, and one that merits our genuine admiration."
The temple was built in the same marshy place as before. To prepare the ground, Pliny recorded that "layers of trodden charcoal were placed beneath, with fleeces covered with wool upon the top of them."
The building is thought to be the first completely constructed with marble and one of its must unusual features were 36 columns whose lower portions were carved with figures in high-relief (left). The temple also housed many works of art including four bronze statues of Amazon women.
Pliny recorded the length of this new temple at 425 feet and the width at 225 feet. Some 127 columns, 60 feet in height, supported the roof. In comparison the Parthenon, the remains of which stand on the acropolis in Athens today, was only 230 feet long, 100 feet wide and had 58 columns.
According to Pliny, construction took 120 years, though some experts suspect it may have only taken half that time. We do know that when Alexander the Great came to Ephesus in 333 B.C., the temple was still under construction. He offered to finance the completion of the temple if the city would credit him as the builder. The city fathers didn't want Alexander's name carved on the temple, but didn't want to tell him that. They finally gave the tactful response: "It is not fitting that one god should build a temple for another god" and Alexander didn't press the matter.
Pliny reported that earthen ramps were employed to get the heavy stone beams perched on top of the columns. This method seemed to work well until one of the largest beams was put into position above the door. It went down crookedly and the architect could find no way to get it to lie flat. He was beside himself with worry about this until he had a dream one night in which the Goddess herself appeared to him saying that he should not be concerned. She herself had moved the stone in the proper position. The next morning the architect found that the dream was true. During the night the beam had settled into its proper place.
The city continued to prosper over the next few hundred years and was the destination for many pilgrims coming to view the temple. A souvenir business in miniature Artemis idols, perhaps similar to a statue of her in the temple, grew up around the shrine. It was one of these business proprietors, a man named Demetrius, that gave St. Paul a difficult time when he visited the city in 57 A.D.
St. Paul came to the city to win converts to the then new religion of Christianity. He was so successful that Demetrius feared the people would turn away from Artemis and he would lose his livelihood. He called others of his trade together with him and gave a rousing speech ending with "Great is Artemis of the Ephesians!" They then seized two of Paul's companions and a near riot followed. Eventually the city was quieted, the men released, and Paul left for Macedonia.
It was Paul's Christianity that won out in the end, though. By the time the great Temple of Artemis was destroyed during a raid by the Goths in 262 A.D., both the city and the religion of Artemis were in decline. When the Roman Emperor Constantine rebuilt much of Ephesus a century later, he declined to restore the temple. He had become a Christian and had little interest in pagan temples.
Despite Constantine's efforts, Ephesus declined in its importance as a crossroads of trade. The bay where ships docked disappeared as silt from the river filled it. In the end what was left of the city was miles from the sea, and many of the inhabitants left swampy lowland to live in the surrounding hills. Those that remained used the ruins of the temple as a source of building materials. Many of the fine sculptures were pounded into powder to make lime for wall plaster.
In 1863 the British Museum sent John Turtle Wood, an architect, to search for the temple. Wood met with many obstacles. The region was infested with bandits. Workers were hard to find. His budget was too small. Perhaps the biggest difficulty was that he had no idea where the temple was located. He searched for the temple for six years. Each year the British Museum threatened to cut off his funding unless he found something significant, and each year he convinced them to fund him for just one more season.
Wood kept returning to the site each year many despite hardships. During his first season he was thrown from a horse, breaking his collar bone. Two years later he was stabbed within an inch of his heart during an assassination attempt upon the British Consul in Smyrna.
Finally in 1869, at the bottom of a muddy twenty-foot deep test pit, his crew struck the base of the great temple. Wood then excavated the whole foundation removing 132,000 cubic yards of the swamp to leave a hole some 300 feet wide and 500 feet long. The remains of some of the sculptured portions were found and shipped the to British Museum where they can be viewed even today.
In 1904 another British Museum expedition under the leadership of D.G. Hograth continued the excavation. Hograth found evidence of five temples on the site, each constructed on top of the other.
Today the site of the temple is a marshy field. A single column is erect to remind visitors that once there stood in that place one of the wonders of the ancient world.
5.The Mausoleum at Halicarnassus
In 377 B.C., the city of Halicarnassus was the capitol of a small kingdom along the Mediterranean coast of Asia Minor. It was in that year the ruler of this land, Hecatomnus of Mylasa, died and left control of the kingdom to his son, Mausolus. Hecatomnus, a local satrap to the Persians, had been ambitious and had taken control of several of the neighboring cities and districts. Mausolus in his time, extended the territory even further so that it finally included most of southwestern Asia Minor.
Mausolus, with his queen Artemisia, ruled over Halicarnassus and the surrounding territory for 24 years. Mausolus, though he was descended from the local people, spoke Greek and admired the Greek way of life and government. He founded many cities of Greek design along the coast and encouraged Greek democratic traditions.
Then in 353 B.C. Mausolus died, leaving his queen Artemisia, who was also his sister (It was the custom in Caria for rulers to marry their own sisters), broken-hearted. As a tribute to him, she decided to build him the most splendid tomb in the known world. It became a structure so famous that Mausolus's name is now associated with all stately tombs through our modern word mausoleum. The building was also so beautiful and unique it became one of the Seven Wonders of the Ancient World.
Artemisia decided that no expense was to be spared in the building of the tomb. She sent messengers to Greece to find the most talented artists of the time. This included Scopas, the man who had supervised the rebuilding of the Temple to Artemis at Ephesus. Other famous sculptors such as Bryaxis, Leochares and Timotheus joined him as well as hundreds of other craftsmen.
The tomb was erected on a hill overlooking the city. The whole structure sat in an enclosed courtyard. At the center of the courtyard was a stone platform on which the tomb itself sat. A staircase, flanked by stone lions, led to the top of this platform. Along the outer wall of this were many statues depicting gods and goddess. At each corner stone warriors, mounted on horseback, guarded the tomb.
At the center of the platform was the tomb itself. Made mostly of marble, the structure rose as a square, tapering block to about one-third of the Mausoleum's 140 foot height. This section was covered with relief sculpture showing action scenes from Greek myth/history. One part showed the battle of the Centaurs with the Lapiths. Another depicted Greeks in combat with the Amazons, a race of warrior women.
On top of this section of the tomb thirty-six slim columns, nine per side, rose for another third of the height. Standing in between each column was another statue. Behind the columns was a solid block that carried the weight of the tomb's massive roof.
The roof, which comprised most of the final third of the height, was in the form of a stepped pyramid. Perched on top was the tomb's penultimate work of sculpture: Four massive horses pulling a chariot in which images of Mausolus and Artemisia rode.
Soon after construction of the tomb started Artemisia found herself in a crisis. Rhodes, an island in the Aegean Sea between Greece and Asia Minor, had been conquered by Mausolus. When the Rhodians heard of his death they rebelled and sent a fleet of ships to capture the city of Halicarnassus. Knowing that the Rhodian fleet was on the way, Artemisa hid her own ships at a secret location at the east end of the city's harbor. After troops from the Rhodian fleet disembarked to attack, Artemisia's fleet made a surprise raid, captured the Rhodian fleet, and towed it out to sea.
Artemisa put her own soldiers on the invading ships and sailed them back to Rhodes. Fooled into thinking that the returning ships were their own victorious navy, the Rhodians failed to put up a defense and the city was easily captured quelling the rebellion.
Artemisa lived for only two years after the death of her husband. Both would be buried in the yet unfinished tomb. According to the historian Pliny, the craftsmen decided to stay and finish the work after their patron died "considering that it was at once a memorial of their own fame and of the sculptor's art."
The Mausoleum overlooked the city of Halicarnassus for many centuries. It was untouched when the city fell to Alexander the Great in 334 B.C. and still undamaged after attacks by pirates in 62 and 58 B.C.. It stood above the city ruins for some 17 centuries. Then a series of earthquakes shattered the columns and sent the stone chariot crashing to the ground. By 1404 A.D. only the very base of the Mausoleum was still recognizable.
Crusaders, who had occupied the city from the thirteen century onward, recycled the broken stone into their own buildings. In 1522 rumors of a Turkish invasion caused Crusaders to strengthen the castle at Halicarnassus (which was by then known as Bodrum) and much of the remaining portions of the tomb was broken up and used within the castle walls. Indeed sections of polished marble from the tomb can still be seen there today.
At this time a party of knights entered the base of the monument and discovered the room containing a great coffin. The party, deciding it was too late to open it that day, returned the next morning to find the tomb, and any treasure it may have contained, plundered. The bodies of Mausolus and Artemisia were missing too. The Knights claimed that Moslem villagers were responsible for the theft, but it is more likely that some of the Crusaders themselves plundered the graves.
Before grounding much of the remaining sculpture of the Mausoleum into lime for plaster the Knights removed several of the best works and mounted them in the Bodrum castle. There they stayed for three centuries. At that time the British ambassador obtained several of the statutes from the castle, which now reside in the British Museum.
In 1846 the Museum sent the archaeologist Charles Thomas Newton to search for more remains of the Mausoleum. He had a difficult job. He didn't know the exact location of the tomb and the cost of buying up all the small parcels of land in the area to look for it would have been astronomical. Instead Newton studied the accounts of ancient writers like Pliny to obtain the approximate size and location of the memorial, then bought a plot of land in the most likely location. Digging down, Newton explored the surrounding area through tunnels he dug under the surrounding plots. He was able to locate some walls, a staircase, and finally three of the corners of the foundation. With this knowledge, Newton was able to figure out which plots of land he needed to buy.
Newton then excavated the site and found sections of the reliefs that decorated the wall of the building and portions of the stepped roof. Also a broken stone chariot wheel, some seven feet in diameter, from the sculpture on the roof was discovered. Finally, he found the statues of Mausolus and Artemisia that had stood at the pinnacle of the building.
Today these works of art stand in the Mausoleum Room at the British Museum. There the images of Mausolus and his queen forever watch over the few broken remains of the beautiful tomb she built for him.
6.The Colossus of Rhodes
Travelers to New York City harbor see a marvelous sight. Standing on a small island in the harbor is an immense statue of a robed woman, holding a book and lifting a torch to the sky. The statue measures almost one-hundred and twenty feet from foot to crown. It is sometimes referred to as the "Modern Colossus," but more often called the Statue of Liberty.
This awe-inspiring statue was a gift from France to America and is easily recognized by people around the world. What many visitors to this shrine to freedom don't know is that the statue, the "Modern Colossus," is the echo of another statue, the original colossus that stood over two thousand years ago at the entrance to another busy harbor on the Island of Rhodes. Like the Statue of Liberty, this colossus was also built as a celebration of freedom. This amazing statue, standing the same height from toe to head as the modern colossus, was one of the Seven Wonders of the Ancient World.
The island of Rhodes was an important economic center in the ancient world. It is located off the southwestern tip of Asia Minor where the Aegean Sea meets the Mediterranean. The capitol city, also named Rhodes, was built in 408 B.C. and was designed to take advantage of the island's best natural harbor on the northern coast.
In 357 B.C. the island was conquered by Mausolus of Halicarnassus (whose tomb is one of the other Seven Wonders of the Ancient World), fell into Persian hands in 340 B.C., and was finally captured by Alexander the Great in 332 B.C.. When Alexander died of a fever at an early age, his generals fought bitterly among themselves for control of Alexander's vast kingdom. Three of them, Ptolemy, Seleucus, and Antigous, succeeded in dividing the kingdom among themselves.
The Rhodians supported Ptolemy (who wound up ruling Egypt) in this struggle. This angered Antigous who sent his son Demetrius to capture and punish the city of Rhodes.
The war was long and painful. Demetrius brought an army of 40,000 men. This was more than the entire population of Rhodes. He also augmented his force by using Aegean pirates.
The city was protected by a strong, tall, wall and the attackers were forced to use siege towers to try and climb over it. Siege towers were wooden structures often armed with catapults that could be moved up to a defender's walls to allow the attackers to scale them. While some were designed to be rolled up on land, Demetrius used a giant tower mounted on top of six ships lashed together to make his attack. This tower, though, was turned over and smashed when a storm suddenly approached. The battle was won by the Rhodians.
Demetrius had a second supertower built. This one stood almost 150 feet high and some 75 feet square at the base. It was equipped with many catapults and skinned with wood and leather to protect the troops inside from archers. It even carried water tanks that could be used to fight fires started by flaming arrows. This tower was mounted on iron wheels and could be rolled up to the walls.
When Demetrius attacked the city, the defenders stopped the war machine by flooding a ditch outside the walls and miring the heavy monster in the mud. By then almost a year had gone by and a fleet of ships from Egypt arrived to assist the city. Demetrius withdrew quickly leaving the great siege tower where it was.
To celebrate their victory and freedom, the Rhodians decided to build a giant statue of their patron god Helios. They melted down bronze from the many war machines Demetrius left behind for the exterior of the figure and the super siege tower became the scaffolding for the project. According to Pliny, a historian who lived several centuries after the Colossus was built, construction took 12 years. Other historians place the start of the work in 304 B.C..
The statue was one hundred and ten feet high and stood upon a fifty-foot pedestal near the harbor mole. Although the statue has been popularly depicted with its legs spanning the harbor entrance so that ships could pass beneath, it was actually posed in a more traditional Greek manner: nude, wearing a spiked crown, shading its eyes from the rising sun with its right hand, while holding a cloak over its left.
No ancient account mentions the harbor-spanning pose and it seems unlikely the Greeks would have depicted one of their gods in such an awkward manner. In addition, such a pose would mean shutting down the harbor during the construction, something not economically feasible.
Comparing the Statue of Liberty with the Colossus: Though the bodies are the same size the Statue stands higher because of the taller pedestal and upraised torch.
The statue was constructed of bronze plates over an iron framework (very similar to the Statue of Liberty which is copper over a steel frame). According to the book of Pilon of Byzantium, 15 tons of bronze were used and 9 tons of iron, though these numbers seem low. The Statue of Liberty, roughly of the same size, weighs 225 tons. The Colossus, which relied on weaker materials, must have weighed at least as much and probably more.
Ancient accounts tell us that inside the statue were several stone columns which acted as the main support. Iron beams were driven into the stone and connected with the bronze outer skin. Each bronze plate had to be carefully cast then hammered into the right shape for its location in the figure, then hoisted into position and riveted to the surrounding plates and the iron frame.
The architect of this great construction was Chares of Lindos, a Rhodian sculptor who was a patriot and fought in defense of the city. Chares had been involved with large scale statues before. His teacher, Lysippus, had constructed a 60-foot high likeness of Zeus. Chares probably started by making smaller versions of the statue, maybe three feet high, then used these as a guide to shaping each of the bronze plates of the skin.
It is believed Chares did not live to see his project finished. There are several legends that he committed suicide. In one tale he has almost finished the statue when someone points out a small flaw in the construction. The sculptor is so ashamed of it he kills himself.
In another version the city fathers decide to double the height of the statue. Chares only doubles his fee, forgetting that doubling the height will mean an eightfold increase in the amount of materials needed. This drives him into bankruptcy and suicide.
There is no evidence that either of these tales are true.
The Colossus stood proudly at the harbor entrance for some fifty-six years. Each morning the sun must have caught its polished bronze surface and made the god's figure shine. Then an earthquake hit Rhodes and the statue collapsed. Huge pieces of the figure lay along the harbor for centuries.
"Even as it lies," wrote Pliny, "it excites our wonder and admiration. Few men can clasp the thumb in their arms, and its fingers are larger than most statues. Where the limbs are broken asunder, vast caverns are seen yawning in the interior. Within it, too, are to be seen large masses of rock, by the weight of which the artist steadied it while erecting it."
It is said that an Egyptian king offered to pay for its reconstruction, but the Rhodians refused. They feared that somehow the statue had offended the god Helios, who used the earthquake to throw it down.
In the seventh century A.D. the Arabs conquered Rhodes and broke the remains of the Colossus up into smaller pieces and sold it as scrap metal. Legend says it took 900 camels to carry away the statue. A sad end for what must have been a majestic work of art.
7.The Great Lighthouse at Alexandria
In the fall of 1994 a team of archaeological scuba divers entered the waters off of Alexandria, Egypt. Working beneath the surface they searched the bottom of the sea for artifacts. Large underwater blocks of stone were marked with floating masts so that an Electronic Distance Measurement station on shore could obtain their exact positions. Global positioning satellites were used to further fix the locations. The information was then fed into computers to create a detailed database of the sea floor.
Ironically, these scientists were using some of the most high-tech devices available at the end of the 20th century to try and discover the ruins of one of the most advanced technological achievements of the 3rd century, B.C.: The Pharos. It was the great lighthouse of Alexandria, one of the Seven Wonders of the Ancient World.
The story of the Pharos starts with the founding of the city of Alexandria by the Macedonian conqueror Alexander the Great in 332 B.C.. Alexander started at least 17 cities named Alexandria at different locations in his vast domain. Most of them disappeared, but Alexandria in Egypt thrived for centuries and continues even today.
Alexander the Great choose the location of his new city carefully. Instead of building it on the Nile delta, he selected a site some twenty miles to the west, so that the silt and mud carried by the river would not block the city harbor. South of the city was the marshy Lake Mareotis. After a canal was constructed between the lake and the Nile, the city had two harbors: one for Nile River traffic, and the other for Mediterranean Sea trade. Both harbors would remain deep and clear.
Alexander died soon after in 323 B.C. and the city was completed by Ptolemy Soter the new ruler of Egypt. Under Ptolemy the city became rich and prosperous. However, it needed both a symbol and a mechanism to guide the many trade ships into the busy harbor. Ptolemy authorized the building of the Pharos in 290 B.C., and when it was completed some twenty years later, it was the first lighthouse in the world and the tallest building in existence, with the exception of the Great Pyramid.
The lighthouse's designer was Sostrates of Knidos. Proud of his work, Sostrates, desired to have his name carved into the foundation. Ptolemy II, the son who ruled Egypt after his father, refused this request wanting his own name to be the only one on the building. A clever man, Sostrates had the inscription:
SOSTRATES SON OF DEXIPHANES OF KNIDOS ON BEHALF OF ALL MARINERS TO THE SAVIOR GODS
chiseled into the foundation, then covered it with plaster. Into the plaster was chiseled Ptolemy's name. As the years went by the plaster aged and chipped away revealing Sostrates' declaration.
The lighthouse was built on the island of Pharos and soon the building itself acquired the name. The connection of the name with the function became so strong that the word "Pharos" became the root of the word "lighthouse" in the French, Italian, Spanish and Romanian languages.
There are two detailed descriptions made of the lighthouse in the 10th century A.D. by Moorish travelers Idrisi and Yusuf Ibn al-Shaikh. According to their accounts, the building was 300 cubits high. Because the cubit measurement varied from place to place, this could mean that the Pharos stood anywhere from 450 to 600 feet in height, although the lower figure is more likely.
A modern lighthouse.
The design was unlike the slim single column of most modern lighthouses (left), but more like the structure of an early twentieth century skyscraper. There were three stages, each built on top of the lower. The building was constructed of marble blocks with lead mortar. The lowest level was probably more that 200 feet in height and 100 feet square, shaped like a massive box. Inside this section was a large spiral ramp that allowed materials to be pulled to the top in horse-drawn carts.
On top of this section was an eight-sided tower. On top of the tower was a cylinder that extended up to an open cupola where the fire that provided the light burned. On the roof of the cupola was a large statue of Poseidon. The lower portion of the building contained hundreds of storage rooms.
The interior of the upper two sections had a shaft with a dumbwaiter that was used to transport fuel up to the fire. Staircases allowed visitors and the keepers to climb to the beacon chamber. There, according to reports, a large curved mirror, perhaps made of polished metal, was used to project the fire's light into a beam. It was said ships could detect the light from the tower at night or the smoke from the fire during the day up to one-hundred miles away.
There are stories that this mirror could be used as a weapon to concentrate the sun and set enemy ships ablaze as they approached. Another tale says that it was possible to use the mirror to magnify the image of the city of Constantinople from far across the sea to observe what was going on there. Both of these stories seem implausible, though.
The lighthouse was apparently a tourist attraction. Food was sold to visitors at the observation platform at the top of the first level. A smaller balcony provided a view from the top of the eight-sided tower for those that wanted to make the additional climb. The view from there must have been impressive as it was probably 300 feet above the sea. There were few places in the ancient world where a person could ascend a man-made tower to get such a perspective.
How then did the world's first lighthouse wind up on the floor of the Mediterranean Sea? Most accounts indicate that it, like many other ancient buildings, was the victim of earthquakes. It stood for 1,500 years but was damaged by tremors in 365 and 1303 A.D. Reports indicate the final collapse came in 1326.
There is also an unlikely tale that part of the lighthouse was demolished through trickery. In 850 A.D. the Emperor of Constantinople, a rival port, devised a clever plot to get rid of the Pharos. He spread rumors that buried under the lighthouse was a fabulous treasure. When the Caliph at Cairo who controlled Alexandria heard these rumors, he ordered that the tower be pulled down to get at the treasure. It was only after the great mirror had been destroyed and the top two portions of the tower removed that the Caliph realized he'd been deceived. He tried to rebuild the tower, but couldn't, so he turned it into a mosque instead.
As colorful as this story is there does not seem to be much truth in it. Visitors in 1115 A.D. reported the Pharos intact and still operating as a lighthouse.
Did the divers actually find the remains of Pharos in the bottom of the harbor? Some of the larger blocks of stone found certainly seem to have come from a large building. Statues were located that may have stood at the base of the Pharos. Interestingly enough, much of the material found seems to be from earlier eras than the lighthouse. Scientists speculate that they may have been recycled in the construction of the Pharos from even older buildings.
There are plans to turn this site into an archaeological park with a lighthouse museum. In a few years visitors maybe able to rent snorkle gear and wet suits and dive in the bay among the remains of the great Pharos lighthouse.
SEVEN WONDERS OF THE WORLD
1.The Pyramids of Egypt
Serving as tombs for the Egyptian pharaohs Khufu, Khafre, and Menkaure in present Egypt, these pyramids were built during Egypt's 4th dynasty.
2.The Taj Mahal, India
For centuries, the Taj Mahal has inspired poets, painters and musicians who have tried to capture its elusive magic in words, colours and music. The Taj Mahal is indeed a flawless architectural creation.
3.The Great Wall of China
The Great Wall of China, one of the greatest wonders of the world, was enlisted in the World Heritage by UNESCO in 1987. Just like a gigantic dragon, the Great Wall winds up and down across deserts, grasslands, mountains and plateaus stretching approximately 6,700 kilometers (4,163 miles ) from east to west of China.
4.The Eiffel Tower
The Eiffel Tower (French: La tour Eiffel) is the most recognizable landmark in Paris and is known worldwide as a symbol of France. Named after its designer, Gustave Eiffel, it is a premier tourist destination, with over 5.5 million visitors per year.
5.The Leaning Tower of Pisa
The Tower of Pisa is the bell tower of the Cathedral. Its construction began in the august of 1173 and continued (with two long interruptions) for about two hundred years, in full fidelity to the original project, whose architect is still uncertain.
6.The Statue of Liberty
The Statue of Liberty National Monument officially celebrated her 100th birthday on October 28, 1986. The people of France gave the Statue to the people of the United States over one hundred years ago in recognition of the friendship established during the American Revolution. Over the years, the Statue of Liberty has grown to include freedom and democracy as well as this international friendship.
7.The Hanging Gardens of Babylon
From 1792-1750 BC, the Babylonian kingdom flourished under the rule of a famous King, Hammurabi but it was not until the reign of Naboplashar (625-605 BC) of the Neo-Babylonian dynasty that the Mesopotamian civilization reached its ultimate glory. His son, Nebuchadnezzar II (604-562 BC) is credited for building the legendary Hanging Gardens. It is said that the Gardens were built by Nebuchadnezzar to please his wife or concubine who had been "brought up in Media and had a passion for mountain surroundings".
THE MODERN WONDERS OF THE WORLD
1.Channel Tunnel (England & France)
While the entrance of the Channel Tunnel is taken to lie between Ushant and the Scully Isles, its extreme breadth (between those points) is about 100 m., and its length is about 350m.
2.CN Tower (Toronto)
Defining the Toronto skyline, the CN Tower is Canada's most recognizable and celebrated icon. At a height of 553.33m (1,815 ft., 5 inches), it is the World's Tallest Building, an important telecommunications hub, and the centre of tourism in Toronto.
3.Empire State Building (New York)
With office suites to suit almost any firm or organization, the building's modernization program has made it a rare find indeed for those lucky enough to occupy it.
4.Golden Gate Bridge (San Francisco)
The Golden Gate Bridge is acclaimed as one of the world's most beautiful bridges and with its tremendous towers, sweeping main cables and great span, it is a sensory beauty featuring color, sound, and light.
5.Itaipu Dam (Brazil/Paraguay)
The Itaipъ hydroelectric power plant is the largest development of its kind in operation in the world. Built from 1975 to 1991, in a binational development on the Paranб River, Itaipъ represents the efforts and accomplishments of two neighboring countries, Brazil and Paraguay.
6.Netherlands North Sea Protection Works (Netherlands)
The Dutch, have for more than a millenium been wresting precious agricultural lands from the sea and fighting to hold on to them. Their greatest achievement-a colossal fun in the dike-if the vast and one dress project known as that Netherlands North Sea protection works.
7.Panama Canal (Panama)
The history of the construction of the Panama Canal is the saga of human ingenuity and courage: years of sacrifice, crushing defeat, and final victory. Many gave their life in the effort